Kamis, 26 Maret 2015

Download , by Frank Miller Todd Klein

Download , by Frank Miller Todd Klein

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Product details

File Size: 72711 KB

Print Length: 256 pages

Publisher: DC Comics (December 16, 2014)

Publication Date: November 21, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0064W667E

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It's doesn't come close to its predecessor but it's not as bad as everyone makes it out to be. The art is in a certain style and I don't like it but it's tolerable. Thiugh it fluctuates in quality often and dramatically throughout. At first it's seems like this will be a story led by Carrie Kelly, formerly Robin now Catgirl, but this is later changed once they throw Batman, and seemingly an endless barrage of characters that mostly don't add anything, into the mix. One main gripe I have is the narration. I know some narration is by Carrie and some by Batman but there may have also been narration by an omniscient narrator as well as other characters. Story is driven by "news" anchors often and it's annoying at first but later helps bring the pacing up. Another main gripe is the same with its predesessor: the story just seems to pull stuff out of nowhere and throw it at your face. There is a somewhat of a secondary villain with a plot twist but the twist and the characters placement in the story are both weightless and meaningless aside from showing some character traits of Batman, which at the same time negates. There's tons of better Batman stories and many worse ones but I got this because I was a fan of Miller's Batman and wanted to see that timeline went. I'm content with it so there's that. The only extras in my copy was some sketches.

The Dark Knight Strikes again is a continuation of the "Dark Night Returns". So if you haven't read that and are even interested in purchasing this novel, then read that first.So now, on to the critiques. First, the positive. If you had read "Returns", then you know that Bruce Wayne/Batman died and that everyone knows Batman's identity. Well, it was all a ploy as the end of "Returns" will tell you. In "Strikes Again", Bruce Wayne has quietly been building a trained army to battle the police state that has become the U.S.. The story itself is decent, but a bit rushed. Bruce assembles the old Justice League to fight the "U.S. defense" ...Superman. Carrie has become Batman's lieutenant, running the army. Everyone has a bit of story here. Superman is being controlled by Lex Luthor (the "real" president) and Brainiac, due to them holding the last remaining city of Krypton hostage (if you know Superman backstory then you know he has had the city in his possession for a long time but couldn't figure out how to bring them back to normal). Wonder Woman is still in love with Superman, and even has a daughter who comes into play later. The pace, again, was quick, so anyone looking for non-stop action will be pretty content. Story was decent. And that is about where by positives end. Now for the cons. I like Frank Miller's writing from what I have read, but I personally think the pace was too rushed. Also, since it was on my kindle there were some parts that were cut off from reading. But the rushing and the language barrier ("billy", for example) made some of this a very hard read. Then there is the art. Lynn Varley's style might be appealing to some, but I hate it. Very polygonal in my opinion. And the sequences could, at times, be very hard to follow. Lex Luthor? Nearly unrecognizable. Carrie's visuals are very weird. The only reason you knew she was a woman were the Angelina Jolie-sized lips. All in all, the rushing and weak art-work were the reasons I didn't like this end to what was otherwise a solid effort. The police state idea and how Superman became everything Batman was afraid of was a good angle. The Flash running the power grid for the entire country was a funny/messed up plot device. I wasn't overly pleased with the previous "Returns" for the art as well, so nothing changed there.

Frank Miller writes excellently and continues his characterization of an elderly Batman. This issue features many superhero cameos and involvement that tie together The Dark Knight Returns story line. Honestly, as stellar and imaginative as Miller's writing is, I found the art to be amateur. Very block-y character incarnations & a duller color palette than the stunning The Dark Knight Returns. The story is borderline experimental and has heavy satirical elements in regards to society, media, and politics. I still enjoyed it a lot though.

Decent story. But like all sequels, especially to any groundbreaking story, this has a hard time living up to the first. Miller manages to create a good enough plot for the book, but the layout of the panels is all over the place. The art is a little bit off and the coloring by Varley is usually breathtaking, but not in this case. there are certain pages where you cannot tell for the life of you what exactly is going on. Frank Miller is by no means a bad artist, this book just needed alot more careful planning and better structure. If he is going to do a DK3 there's going to be much more painstaking attention to detail this time.I'd give it a 5.5/10 for a slightly compelling story that is worth reading (IMO) but not worth the fuss of The Dark Knight Returns.

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Jumat, 20 Maret 2015

PDF Ebook The All-or-Nothing Marriage: How the Best Marriages Work, by Eli J Finkel

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Review

“After years of debate and inquiry, the key to a great marriage remained shrouded in mystery. Until now. In his All-or-Nothing Marriage, Eli Finkel reveals the fascinating ways in which marriage has evolved and the things we can all do to help this all-important relationship flourish. You will definitely want to read this book.”—Carol Dweck, Stanford professor and author of Mindset: The New Psychology of Success“If you’ve ever wondered what science has to say about how marriage has changed over time and what makes for a great one, this is the book to read. Eli Finkel is one of the world’s leading experts on relationships, and his insights are both comprehensive and revealing.”—Adam Grant, author of Give and Take, Originals, and Option B (coauthored with Sheryl Sandberg)  “Eli Finkel has written an incredible analysis of the state of marriage and a useful guide for everyone trying to make their relationship work better. He also promised us cheeseburgers if we wrote this blurb. Please get those to us ASAP, Eli.”—Aziz Ansari and Eric Klinenberg, co-authors of Modern Romance “This book makes a lot of sense, and it is written by an eminent scholar. It should be an essential part of every therapist's bookshelf.”—John M. Gottman, author of The Seven Principles for Making Marriage Work  “Fascinating! Eli Finkel offers us an educated, enlightening perspective on our most important adult relationship; better still, his perspective on marriage is one of hope and inspiration.”—Dr. Sue Johnson, author of Hold Me Tight and Love Sense   “An engaging, perceptive exploration of a modern paradox. We need marriage less than ever for practical survival and social success, but we demand more satisfaction and meaning from it than ever. The higher we climb in our emotional expectations, Finkel argues, the more oxygen we need to pump into our relationships.”—Stephanie Coontz, author of Marriage a History: How Love Conquered Marriage   “Marriages are like rapids-filled rivers, sweeping us along toward desired destinations, both emotional and practical, while imperiling the journey with unseen rocks of ruin. With an account that is impressive in scholarship and erudition, Eli Finkel has provided a much-needed chart for understanding and navigating the waters.”—Robert B. Cialdini, author of Influence and Pre-Suasion   “Eli Finkel’s All-or-Nothing Marriage is an excellent, accessible guide to today’s high-investment, high-reward marriages.”—Andrew Cherlin, Professor of Sociology, Director of Program on Social Policy at Johns Hopkins University“No one knows more about the science of relationships than Eli Finkel. This book is bound to spark a conversation. A must-read for anyone interested in building or maintaining a strong marriage.”—Jonah Berger, Wharton professor and author of Contagious and Invisible Influence“What a wonderful book by Eli Finkel. He’s a natural writer—with an original and scientific view of marriage today and tomorrow. In short, marriage is evolving from a pragmatic survival strategy, to a romantic companionship, to a personal-growth adventure. And our best marriages today are better than anything of the past. It’s optimistic, sensible, and engaging. And Finkel adds fascinating historical and cross-cultural facts and some highly useful tips on how to travel the bumpy road to happy coupledom. You’ll like it . . . and use it.”—Dr. Helen Fisher, author of Anatomy of Love and Why We Love“In his deeply insightful and beautifully written book on the paradox of modern marriage, Eli Finkel shines the bright light of science on the most important, rewarding, and vexing of all human relationships.”—Daniel Gilbert, Harvard University Edgar Pierce professor of psychology and author of Stumbling on Happiness“What do we actually know about good (and bad) marriages? That simple question is surprisingly difficult to answer, but Eli J. Finkel's All-or-Nothing Marriage is the best place I know to start.”—Tyler Cowen, economics professor at George Mason University and author of Average Is Over“While pundits debate the ever-evolving institution of marriage, Eli Finkel offers a fresh, nonpartisan analyses of changing trends, and even practical advice for the long-coupled. Anyone in a committed romantic relationship—whether or not they’re legally wed—will benefit from the generosity and care he brings to the topic.”—Kate Bolick, author of Spinster: Making a Life of One's Own“A thorough analysis of American marriage throughout the ages. In this comprehensive examination, Finkel . . . traces the evolution of this sacred institution from the earliest days of hunter-gatherer societies to modern times. . . . . In addition to extensive research, the author bolsters the narrative with charts, diagrams, and numerous quotes from a variety of sources. As the author writes, it is possible to create a loving, lasting union, but it requires work, communication, and commitment on the part of both parties, and the process will change as time progresses.”—Kirkus Reviews"The beauty of [Finkel's] new model is that the potential psychological benefits increase as you climb the hierarchy of needs."—Chicago Tribune"In his new book, The All-or-Nothing Marriage, Finkel argues that twenty-first-century spouses seek partners who bring out their best, most authentic selves.”—TIME"An important book . . . full of interesting insights on contemporary marriage."—David Brooks, The New York Times“Truly . . . an excellent book.” --Scientific American“The good news is that, unlike the fate of competitors in a winner-take-all financial transaction, one person’s spectacular marriage doesn’t doom anyone else’s to failure. Mr. Finkel’s book shares research on what happens in the best marriages, with the aim to help everyone else likewise score an “all” rather than a “nothing” partnership. . . . Finkel offers tough love advice.” --The Wall Street Journal“Mr. Finkel [is] one of the leading lights in the realm of relationship psychology.” --The Economist“An impressive work that not only charts the history of marriage from hunter-gatherers onward and explores all the ways marriage has evolved over the years but also boils the wealth of data to simple, attainable advice.” --The Huffington Post"A fantastic new book that looks at our complex history with the institution, exploring how marriage has changed and evolved, and how we can change and evolve along with it."--The Toronto Star"The All-or-Nothing Marriage is a fascinating read about our culture's relationship to relationships."--Books for Better Living“For Finkel, it’s fine to look at marriage as a means to personal happiness, but it’s a 'two-way street.' It’s about giving as much as it is getting and forgetting that is the surest way to let your marriage fall apart.” --Vox.com

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About the Author

ELI J. FINKEL is a professor of psychology and of management and organizations (Kellogg School of Management) at Northwestern University and the director of the Relationships and Motivation Lab. He has published over 100 scholarly papers and has won the most prestigious early career awards in both social psychology and relationship science. He is among the youngest scholars ever to serve as an associate editor of the Journal of Personality and Social Psychology, the top journal in his field, where he is also a widely published author.

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Product details

Paperback: 352 pages

Publisher: Dutton; Reprint edition (January 8, 2019)

Language: English

ISBN-10: 1101984341

ISBN-13: 978-1101984345

Product Dimensions:

5.5 x 0.7 x 8.2 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

63 customer reviews

Amazon Best Sellers Rank:

#42,208 in Books (See Top 100 in Books)

The institution of marriage and our expectations of what makes it successful are always in flux. It wasn't long ago that marriage was anchored in pragmatic needs of maintaining a household. Fast forward a little, perhaps a century or so, and we are seeing first roots of a search for "romantic love" taking hold as the new aspiration. Finally looking back at the last few decades, the formula for success has become the "all in one package": romantic and spiritual partner, parent and confidant, sexual hero and more — all the while we spend less time with friends, and more time working and parenting. We keep raising the bar, but does that even make sense?In the first half of the book, Eli Finkel provides the historical backdrop, helping us position our modern expectations against those of previous generations — a good reminder that there are no absolutes, and we should not jump to conclusions too fast. The second half of the book examines the hodgepodge modern expectations that we've placed on ourselves, and provides a data-driven perspective and tips on how to build a successful marriage. A few of the suggested "love hacks":- Touch — physical expression of love goes a long way.- Don’t jump to conclusions — change your attributional style to give the benefit of the doubt.- Picture yourselves from the outside — if you were a bystander, how would you react?- Gratitude — write down, share, and celebrate things your partner has done for the two of you.- Learn to accept a compliment — healthy self-esteem nurtures healthy relationships.- Celebrate their small victories — get excited about your partner's success.In short, a great guide to help pause and self-reflect on how to succeed in our "everything and all at once" world.

I was hoping/expecting to learn some new, earth-shattering advice about how to strengthen one's marriage. Instead, the first half of the book was spent learning about the history of marriage and about the author's definition of an "all-or-nothing" marriage. The last half of the book had some helpful ideas, but most of them (communicate better, don't rely on your partner to meet all of your needs, etc.) were fairly obvious.

“Post-menopausal” was mentioned exactly once, at the end of a sentence. At the time when relationships are most vulnerable, the author’s GPS finds no location, no road, no town to observe or study. I appreciate the many valuable insights and analyses, but when data is averaged it still only represents one point on the spectrum. I kept waiting to read an example of couples over 60 or lovehacks to mitigate the fallout from bankruptcy, financial ruin, a heart attack or stroke. Will there be a Part 2?

I had very much anticipated the publication of the “All-or-nothing Marriage” and pre-ordered copies for a small seminar I’m teaching on personal relationships and family. This is a great book for many audiences, ranging from scholars and students of marriage and relationships (and from many disciplines) to the avid reader who wants to learn about the state of marriage from one of the top scholars in the scientific field of close relationships. Eli Finkel has produced an excellent, science-based book that begins with a discussion of how marriage has changed, and then moves to presenting advice, grounded in research, on how anyone can improve their marriage (or relationship). Interesting and enjoyable read!

This is about to become the most important book on marriage. Part science, part therapy, The All-or-Nothing Marriage should be a bestseller for a very long time. Eli Finkel is the leading expert on the psychology of marriage. He's done a mountain of research on the topic, but he also integrates a historical perspective and others' research in a way that provides a clear and comprehensive theory of what makes marriages succeed (or fail). His view is not simplistic -- for example, he discusses why marriages succeed at different stages in their lifespan -- but he presents it in a way that is simple to understand and apply.We've been in need of an up-to-date book that presents the science of marriage to non-scientists. With all due respect to Gottman, his books have been holding that spot for too long. In the last two decades, the research has evolved, our culture has evolved, and our needs have evolved. Using the absolute most up-to-date research, Eli Finkel's book offers realistic hope to almost anyone struggling to launch a new marriage, to improve a struggling marriage, or to sustain a marriage that's already working well.This is the new Marriage Handbook.

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Kamis, 19 Maret 2015

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Air Contaminants and Industrial Hygiene Ventilation: A Handbook of Practical Calculations, Problems, and Solutions

Product details

Hardcover: 240 pages

Publisher: CRC Press; 1 edition (May 20, 1998)

Language: English

ISBN-10: 1566703077

ISBN-13: 978-1566703079

Product Dimensions:

6.3 x 0.7 x 9.6 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

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Sabtu, 07 Maret 2015

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File Size: 4359 KB

Print Length: 1132 pages

Publisher: Penguin; Rev Ed edition (November 27, 2003)

Publication Date: November 27, 2003

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B002RI9JAA

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Amazon Best Sellers Rank:

#443,355 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

What can I say? This is a classic. I am so glad I read this before my 30th birthday and before the 2016 US presidential election. It really puts things into perspective. No matter how great I think America is and how much of a superpower it is it does not compare to how long and how great the Roman Empire was. I cannot even begin to imagine how the citizens of Rome must have felt when they heard the news that the barbarian tribes from the north took over Rome in 410AD. This apologetic work from Augustine of Hippo does not only argue that the City of God will overcome the City of Man one day but also teaches one how to engage critics and persuasively convince the reader. Augustine was a Roman through and through but His love for the true Eternal City was always more important. This book gave me an appreciation for how God always has a 'pilgrim people' that He has predestined to fight the good fight. If you are looking for a biblical theology of the City of God throughout all of Scripture then this is a great read for you. It will also give you an appreciation for how the current trend of 'gospel-centered' is not anything new but really old and Augustine was a master at making Christ-centered connections from the OT.For example, on page 971 Augustine skillfully writes, "This is why, as the Lord carried his cross, so Isaac himself carried to the place of sacrifice the wood on which he too was to be placed. Moreover, after the father had been prevented from striking his son, since it was not right that Isaac should be slain, who was the ram whose immolation completed the sacrifice by blood of symbolic significance? Bear in mind that when Abraham saw the ram it was caught by the horns in a thicket. Who, then, was symbolized by that ram but Jesus, crowned with Jewish thorns150 before he was offered in sacrifice?The book is filled with little nuggets all throughout. Couldn't recommend it more!

This negative review has nothing to do with St. Augustine's powers of logic or the translation. This negative review has everything to do with the Xist Classic kindle edition I purchased. This edition does not contain the full 22 books of "The City of God," but rather cuts Augustine off midthought at the end of book 13. Not delivering the full content of the book as described is unacceptable.

This is a review of the Kindle edition -- that's why the rating is 3 stars. The book proper gets 5 stars from me, but the Kindle version gets 1.Why? Because it's obviously been scanned in from a printed edition and then only tidied perfunctorily. Maybe one page in eight has at least one scanner error (they tend to clump), and running a spell-check program would have caught a good fraction of them. A bored intern who read every word of the text would have caught almost all. It's amusing to read about Flatonists rather than Platonists, and it keeps me on my toes to have "the" replace "die" much of the time, but it soon gets tiresome.Penguin Classics has stopped caring about their readers. It's pathetic. This Kindle edition is roughly as expensive as the paperback, at least here, and they can't even be bothered to run a spell-checker program on it, let alone pay anyone to proofread it.If you simply must have this translation in Kindle format, you're stuck with this. I'm certain that Penguin Classics will do nothing to fix these problems.

Augustine’s City of God is classic of Western literature, theology, philosophy, and cultural criticism. It is a work that, alone, is almost half of Aristotle’s surviving corpus (and Augustine’s surviving corpus is the largest corpus of any Western author, and there are plenty of works of Augustine’s that have been lost to us).The City of God, as most know, was written in the aftermath of the Sack of Rome by Alaric and the Visigoths. This sent shock waves throughout the Roman Empire – hitting Christians and Pagans alike. What we often forget too is that, while Christianity had been made the official state religion of the Roman Empire by Emperor Theodosius, “Paganism” still outnumbered Roman Christianity. Part of Augustine’s response was to counsel Christians whose faith was shaken by the events and traumatic experiences. The other part was Augustine’s response to the pagan critics – ensuring that the City of God would stand as one of the most comprehensive, and systematic, works of cultural criticism ever penned by a human.People in the English-speaking world, thanks to the Protestant Reformation, should re-read Augustine without the mediation of Luther or Calvin, and especially Calvin. Americans, in particular, should give Augustine’s work a read. America is often described as the New Rome, or the New Athens. Either way, America is the great superpower and is, in many ways, an empire of old. Although the notion of imperial soteriology has been greatly and grossly exaggerated, some Christians had begun to see the Roman Empire as an instrument of God’s salvific plans. In other words, God works through a nation to achieve his goals. Augustine vehemently opposes this view of seeing sacred history as tied to particular nations of men.Augustine is thoroughly Catholic. He is Catholic in his hermeneutics and he is Catholic in his ecclesiology. Which means he is Catholic in his ecclesiological hermeneutic which runs throughout the work. It was already common in the patristic period to read the Old Testament in a Christo-centric and ecclesiastic manner, so Augustine is no different when he comments upon how to read the ancient stories (but it is Augustine's authority that is so important). Unlike “fundamentalists” today, who see the OT stories as one of history, Augustine fits in the patristic tradition of allegorical hermeneutics. Yes, Augustine does believe in a literal Old Testament history (he had no reason to think otherwise) but that’s not what he is most concerned with. Instead, he is concerned with the truly “literal” (what we call today as allegorical) reading: The Old Testament stories are all prefigurations and signs of Christ and the Church.To give an example, in Book XV when he comments on the story of Cain and Abel Augustine doesn’t really care about Cain and Abel as fundamentalists would. Instead, he reads Cain and Abel as a story prefiguring Christ’s death and the Christian Church. Abel is like Christ, the good shepherd who is killed by humanity (archetypally represented by Cain). But Abel is also like the Church, the body of true life for even though Abel was physically killed it was Abel who spiritually lived on, while Cain embodies both physical and spiritual death. This is because, as Augustine tells us, Abel is like the City of God and Cain like the City of Man. Cain’s mark to wander and eventually found the first cities is also Augustine understanding those marked to be forever separated from Christ and his Church – and that city-life is tainted by the sin of fratricide leading to the perpetual lust for domination. But it is important to note, as Augustine does, God does not abandon the reprobate first (per Calvin's double predestination). It is the reprobate who abandon God – like Adam in the garden, or Cain just after murdering Abel, God appears and talks to them, offering a path to repent, but sinful man deflects the blame and doesn’t want to own their actions. Then, and only then, does God depart. (Hence Augustine's single predestination, for God knows who will choose him and forsake him, but he is still present with those who will forsake him until the moment of their forsaking -- whereas in Calvin God has already separated himself from the eternally damned before the beginning of time.)In reading the creation story of Genesis, Augustine not only emphasis the unity and equality between man and woman, “The woman, then, is the creation of God, just as the man; but her creation out of man emphasizes the idea of the unity between them” (XXII, 17), but it doesn’t stop there. Augustine reads the story of Adam and Eve in the same ecclesiastic hermeneutical lens: “And in the manner of that creation [the creation of Adam and Eve] there is, as I have said, a foreshadowing of Christ and his Church.”Those interested in the art of patristic hermeneutics, and especially ecclesiological hermeneutics, can be enriched by Augustine’s hermeneutic within the City of God. This is important for Americans, again, to realize the profundity of what Augustine is claiming (who influenced the Catholic tradition as a result): GOD HAS ALWAYS WORKED THROUGH HIS CHURCH! God has never actually worked through a “nation” but always his church. The Church is present at creation, it is present through the Flood (Noah’s Ark), it is present through the patriarchs and prophets, and it is present through the people of Israel before Christ’s crucifixion. There are no chosen nations, so to speak – all the nations, like earthly Jerusalem or Babylon, are destined to failure but the Church and the Church alone is chosen to endure to the end!But City of God is more than a work of philosophy, theology, and Biblical interpretation, it is among the greatest and most penetrating works of cultural criticism. Again, Americans should read, or reread, Augustine in light of this fact. Augustine does not spare from scrutiny and criticism all of the “sacred myths” of Rome. If Augustine were alive today, speaking of the city of man that is America, he would be equally critical of America’s founding myths: The City Upon the Hill, “The Last Best Hope,” and the veneration of the Founding Fathers and so on.Augustine doesn't spare the Roman city (archetypal of the earthly city of man) and its foundation of “love of self to the point of contempt of God” from any criticism. The city of man is the city where you can be whatever you want to be, the city where you can do whatever you want to do, the city where everything is permitted, which is the same as to say that nothing is important or sacred. The love of self is the love of nothingness and exhausts itself, always, in death and destruction.Augustine’s reading of the rape of Lucretia (Book I) and Romulus and Remus (Book XV) are just two of many examples of his withering cultural criticism. Lucretia, for those who don’t know Roman history and mythology, was a young and beautiful noblewoman who was raped by one of King Tarquin’s sons. Defiled by what one had done to her, rather than with her (as Augustine so acutely and deftly puts it), ultimately commits suicide though she had done nothing wrong. Lucretia’s tragedy is the tragedy of the city of man. Lucretia loved her self so much that after the rape she felt like she couldn’t love herself anymore and that if she went on living she would be scorned by Roman society. So she took her life. The love of self drove her to commit suicide. The sin of Lucretia’s suicide is just as much on Tarquin’s son, Lucretia herself, as it is on the Roman people as a whole. The irony is, Augustine sees, is that Lucretia had to die in order to win the praises of the city of man. Only through her death could she be loved again. Lucretia’s importance in Roman myth is that it was her death that galvanized the people to overthrow the Tuscan monarchy and establish the supposedly liberty-loving republic.In the story of Romulus and Remus Augustine parallels this with Cain and Abel. But Augustine, while noting the similarities, also highlights the difference. The murder of Remus by Romulus was because of love of self. Driven by competition and want for praise of self and all the glory of founding Rome to themselves, this meant that neither could share the praise and glory with one another. Hence, Romulus murdered Remus so as to win all of the laurels and honors of founding Rome for himself. Rome’s foundation is built upon the blood of a murdered family member. What one can’t afford to miss in this reading of the founding of Rome (again archetypal of the city of man) is that the city of man is always internally divided! The city of man is divided among itself in competition as the iteration of the libido dominadi, with competition being seen as the pathway to glory, honor, and fame, etc.Americans who like to breach bipartisanship and “unity” need to realize that the city of man, founded in its sin and lust for domination, enslaved by its culture of self-love and nothing more, cannot ever be united and unified. This is why earthly citizens need to transcend their citizenship to the only place of true unity: The Unity of Father, Son, and Holy Spirit. This is also part of Augustine’s criticism of Cicero – a man whom he greatly admired and was a fatherly intellectual figure of sorts (recall in the Confessions that Augustine credits Cicero with turning him away from atheism to belief in God, and in a way, Cicero is responsible for Augustine’s conversion to Christianity). Cicero’s great works: Republic and On Obligations, are very Christian in one sense, but deeply flawed in another. Cicero was right to see the need for justice and unity and strong moral character in order for a society to survive. But he was naïve to think Rome was ever that utopian republic that Cicero speaks of in some of his writings. How can a city founded on the love of self ever be united? Augustine is, although this is somewhat anachronistic, an ardent critic of “individualism” in the modern sense of the word. (Individualism, in Latin: individuum, means to be “indivisible”, i.e. bringing two together as one; just a fun etymological lesson the next time you consider what the implications of “individualism” are to philosophical anthropology.) The hope of nations is not a king, a president, or a congress -- it is the Church, of which Christ is the head of.The City of Rome, Augustine tells us through the stories of Romulus and Remus, Lucretia, and Aeneas, is founded on death and domination. Domination exhausting itself into death is really the only thing the city of man knows. Augustine's analysis and criticism of Roman myth, culture, and sacred literature is among the most penetrating and thoughtful cultural criticism any human writer has ever produced.Furthermore, in dealing with theology, Augustine – ever the Catholic – knows that God is Truth itself. (The idea of God as Truth itself is Catholic dogma.) In reading the narrative of the Fall and Sin in Genesis Augustine, again, deploys that allegorical hermeneutic. What did it mean for Adam and Eve to eat of the tree of knowledge of good and evil? It was not to gain consciousness as existentialist theologians of the 20th century say (for man was already lonely in Genesis 2 which is why God made woman to make him whole: indivisible.) Augustine understands the Fall to be man’s attempt to decide for himself what is good and what is evil, in the false hope that being the “measure of all things” will bring him happiness.Augustine’s anthropology is defined by eudemonia. All humans seek happiness. Happiness is the end of human existence. This is why heaven, in Catholic doctrine, is the place of enduring and eternal happiness. Salvation is about happiness! But what is sin? Sin is misdirected desire at love and happiness according to Augustine. Humans do what they do out of a misguided belief that it will make them happy. The ultimate rebellion of man is thinking that he can simply claim his actions to be “good” so as to make him happy. That is what Augustine understands the first sin to be about; and that is ultimately what all sin is about. The City of God, Augustine tells us in Book XIV, is about living in union with the Truth of God's orderly creation. The city of man, by contrast, lives in falsity and darkness: It cares not about the Truth but only about the self as the measure of all things. Once more, thoughtful people today can see just how prescient Augustine was in understanding the ways of the city of man - the city that prefers falsity and ignorance in the never to be satisfied quest for happiness precisely because this quest, which places man (instead of God) at the center of all things perpetuates man's rebellion against nature itself.To live by God’s standard, Augustine says in Book XIV, is to live by nature’s standard – the standard of Truth itself. To live in union with the Truth, to live as God intended, is the only way to be truly happy. To live by the standard of man, is to live by the standard of falsity.Lastly, on the issue of image of God (imago Dei), Augustine (and Catholic doctrine affirms this) understands a crucial aspect of the imago Dei to mean that humans possess the gift of reason. Reason is what makes us like God. It is what separates humans from the rest of the created order. Animals may possess sense. They may be able to love in the way that animals can show affection. They may have simple thought processes. But animals do not possess rationality like humans do (e.g. ability to come to know the good and the true and live by that standard).Part of the Fall of Man, for Augustine, is man’s rejection of Reason. Since God is Reason and Reason is God (Logos theology) and Christ is the Wisdom itself (Christ as the Logos), the rejection of human reason in the garden story (by man wanting to decide for himself what is good and evil to bring about his joy), man actually rejected his own reason. Rather than use his reason to understand himself and the world, thereby living in union with the Truth of the created order whereby he would be happy, man rejects the rational order of creation and tries to define for himself what is good, what is evil, and who he is and who is not. This is what has led to the disordered affairs of body and soul in Christian anthropology. All desire seeks happiness and is, technically, good. But human reason is what guide desires to its end (finding bliss only in God). In rejecting human reason we become “fallen,” we become nothing less than brute animals who give into our impulses over and over again – only to be disappointed in the end.The idea of the Fall as the Fall of Human Reason is one of the reasons why actually literate scholars of Christian philosophy and theology (whether they are believing scholars or not) see the so-called “New Atheist” movement as nothing but a “secularization” of Christianity. Think about dunces like Sam Harris and Richard Dawkins who know almost nothing of religious hermeneutical traditions and their longstanding philosophies: That narrative that humans were once great and rational beings who have since fallen into darkness, ignorance, and superstition and now have to embrace the “light” of science and truth to lift themselves out of the pit of despair and darkness – guess where that narrative comes from? Yep, Christianity.For the world was void and left in darkness until the light of Christ gave it form in creation. The world was brilliant in its light and the people knew God before descending into darkness and ignorance (see Romans 1). Having rejected reason they have given themselves over to their passions and are left to wallow in despair (also see Romans 1). What saves man from this wretched state of ignorance and darkness? The “Light of Christ.” It’s the same story just retold.Augustine’s City of God is, without overstatement, a work that outshines most other works. There is no other work of antiquity, Christian, Greek, Jewish, or Roman, that is as comprehensive and systematic, as penetrating in its criticism, and as influential in its legacy, as Augustine’s City of God. It is a long and arduous read at times, this much is true. There are things that Augustine says that we now know not to be true. But that shouldn’t prevent anyone from reading one of the classic works of Western literature, philosophy, criticism, political philosophy, and theology. It is thought-provoking, tragic, ironic, and hopeful, all in one.

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